Reviews > Shows
Published: 2012/12/27
Wild Adriatic and Dirty Names at Bowery Electric

Wild Adriatic and Dirty Names
Bowery Electric
New York, NY
December 14
Dirty Names played to a packed room at Bowery Electric on Friday, December 14th. The openers, Wild Adriatic, started the night out with some funky guitar riffs and catchy beats setting the tone for the evening.
The soulful bluesy rock quartet broke out into catchy number, “Letter” with Travis Gray leading the group with pitch perfect falsetto vocals. For a 9 o’clock set on a Friday night, the room was reasonably crowded but there was a gap around the stage as the audience resisted dancing around to the high-energy songs and enchanting rapport between band members.
The band jammed back and forth with one another with bassist Rich Derbyshire hopping and dancing all over the stage. On “New Sun Rising” the passion and energy the band typically brings to the stage was especially evident as drummer Mateo Vosganion mouthed the lyrics to the entirety of the song while slamming on the cymbals.
The band treated the crowd to some new music that had more of a vintage sound but with even more soul and undeniable electric choruses than we’ve heard from them in the past. On the amped up and heartbreaking “Lion in its Cage,” guitarist Shane Gilman stood behind Derbyshire’s bass and fretted the bass line for him smiling out at the crowd.
The old school rock n’ roll foursome, Dirty Names, took the stage next and made the crowd move right up to the stage. They immediately broke out in wild energy on, “Don’t Try Making a Move” with animated facial expressions and sexual dance moves. The next song, “I Get By” had an irresistible 60’s rock vibe and lead singer, Harrison Cofer, threw his guitar around at the peninsula of the stage staring straight into the audience challenging anyone to look away.
“Mr, Satisfaction,” a new song, had team vocals and guitarist, Kit Whittacre, pointed his instrument from his crotch playing provocatively to the audience. Always a crowd pleaser, the band played “Salt Water Jackie” and the entire crowd was dancing wildly with girls grinding on one another or gyrating towards the stage. Harrison fell to the ground still strumming and then jumped out to the front of the stage, playing guitar between his legs.
“Cadillac” had the room throwing themselves around, and in coordination with the music, a couple began waltzing crazily around the room. Before exiting the stage Harrison kicked his pick off the stage into the onlookers.
Relix A/V
Golden Bloom "Flying Mountain"
Golden Bloom stopped by Relix to perform a tune from their latest EP No Day Like Today.
The Chapin Sisters "Crying in the Rain"
The Chapin Sisters share an tune from their new album A Date With the Everly Brothers.
Night Moves "Country Queens"
Minneapolis-based Night Moves share a song from their record, Colored Emotions, live at Relix.
The Giving Tree Band "Brown Eyed Women"
The Giving Tree Band enjoy a spring day on the Relix rooftop, while performing a classic Grateful Dead tune.
Hayden "Blurry Nights"
Canadian singer-songwriter Hayden performs a duet with his sister-in-law Lou Canon. The song appears on Us Alone his first record on Broken Social Scene’s Arts & Crafts Productions.
The Milk Carton Kids "Hope of a Lifetime"
The Milk Carton Kids share the first song from their new album, The Ash & Clay.
Premiere: Ana Popovic "Object Of Obsession"
Here is the new video from Serbian guitar ace Ana Popovic. “Object Of Obsession” appears on her latest album Can You Stand The Heat.
Ron Sexsmith "Nowhere To Go"
Ron Sexsmith visits the Relix office to perform a tune from his latest record Forever Endeavor.
Latest Content
- Alex Bleeker & The Freaks: How Far Away
- The Facebook Photo Contest Top 10
- Welcome to moe.town (Relix Revisited)
- Visions of the Hangout Music Festival 2013 (A Gallery)
- Edward Sharpe and the Magnetic Zeros Share "Better Days"
- Jim Weider’s Project Percolator at the Inn On The Blues
- Electric Daisy Carnival New York (A Gallery)
- Tom Petty & The Heartbreakers "Friend of The Devil" at the Beacon
Comments
There are no comments associated with this posts