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Reviews > Shows

Published: 2012/04/17

by Nancy Dunham

Pegi Young & the Survivors in Washington

Pegi Young & the Survivors
The Hamilton
Washington, D.C.
April 7

Pegi Young rarely covers songs by a certain artist, but on this night she couldn’t resist.

“I don’t usually do ones my husband wrote,” said Young, referring to Mr. Neil Young. “But this one was screaming to be done. Screaming.”

With that Young and her band –rock royalty one and all – launched into a blazing hot version of ‘Fuckin’ Up.’

Pegi Young may consider herself something of an upstart compared to her much-lauded spouse of more than three decades, but her vibe was all confidence and cool as she bounded about the stage during the 11- song set and three-song encore of mostly original material.

At various times during the show she traded licks with lead guitarist Kelvin Howard and bassist Rick Rosas, pounded out a beat on a wood block with an extra stick from drummer Phil Jones, and played a second set of keyboards in accompaniment with Rock and Roll Hall of Famer Spooner Oldham. What made the show exceptional, though, was the musical breadth Young and her band the Survivors – supplemented by multi-instrumentalist Larry Cragg on saxophone, harmonica, and more – displayed as they moved from alt-country to blues, to soul to hard-pounding rock.

Of course, that’s a reflection of Young’s songwriting. The first three songs in the set were the first three songs on her November 2011 release “Bracing for Impact:” the alt-country “Flatline Mama,” the blues weary “Med Line,” and the stand-out soul-infused “Trouble in a Bottle.”

Other than offering basic commentary about these and the other songs they performed, Young let the music tell her audience all it needed to know.

Little wonder the band left the stage to a standing ovation that lasted well after the last notes faded.

Comments

There are 2 comments associated with this post

Arthur May 3, 2012, 08:59:20

I was about 6 chapters binehd, and last night I caught up. He’s really getting into the meat of it now.Sayo! Don’t die, Sayo! You have so much to live for! (Oh, wait )

Rejane May 11, 2012, 06:57:14

, “I m just trying to tell some streios and make music that I can get behind. “ That conviction has never rung truer than on her 2011 album, Bracing For Impact. Her third release, and second for Vapor Records, the 11-song disc spotlights Pegi s beautifully spare and resonant vocals, world-weary and eloquent lyricism, and hushed yet immediate emotional landscape. Bracing For Impact features Pegi once again accompanied by her acclaimed recording and touring band, the Survivors: legendary keyboard player Spooner Oldham on piano, bassist Rick Rosas, guitarist Kelvin Holly, and drummer Phil Jones. The album was produced by Pegi Young with the Survivors, with the exception of the final track, “Song For A Baby Girl, “ produced by Elliot Mazer.Eight of the album s 11 songs are originals written by Pegi Young, with highlights including “Flatline Mama” featuring a horn section and background vocals from The Watson Twins “No Heart Beats Sound, “ and “Trouble In A Bottle. “ Neil Young wrote the rollicking “Doghouse, “ and contributes background vocals and harmonica as well. Neil is also featured playing electric guitar on “Lie” and “Song For A Baby Girl, “ and on harmonica for “Number 9 Train, “ written by the late bluesman Tarheel Slim. On “I Don t Want To Talk About It” a song by Crazy Horse s Danny Whitten that first appeared on that group s 1971 album Chandra Wilson delivers additional vocals.

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