moe. at The Ogden
moe. with Technicolor Tone Factory
Saturday felt downright balmy with the mercury hovering right around 0 degrees. Most fans spend the daylight hours either hunkered down beneath layers of blankets or they opted to go the Jay Blakesberg Jam book signing. Rumor had it that moe. would show up and they most definitely did. After a short performance and a bit of revelry for Jay it was all over and time to focus on round two of the groupâ€™s Ogden Theater run.
Doors again opened at 8 PM with Technicolor Tone Factory starting up right around 9 PM. Iâ€™ve seen the TTF name floating around the Front Rage scene for a short while now. This was my first opportunity to see them perform live, and I have to say I was impressed. Tight riff-heavy jams were the hallmark of a band that defies categorization. Itâ€™s as if elements of Daft Punk and Jimi Hendrix went to a secluded cabin in the woods and came back with a love child. This five-piece is one to keep an eye on. Their original â€śHeistâ€ť into a spot on version of Ted Nugentâ€™s â€śStrangleholdâ€ť was a real highlight of the entire evening. Their performance at The Ogden was both musically skillful and totally proper given the audience. I wouldnâ€™t be surprised if Technicolor Tone Factory makes their way to a festival near you this summer.
Moe. stuck to the game plan and again made their way onto the stage a little after 10PM. They opened up the night with a crunchy â€śSt. Augustineâ€ť that contained some serious shredding from Mr. Chuck Garvey. The show that followed was a parade of crowd pleasers, several done with a great attention to detail and with much panache. â€śWind It Upâ€ť was straight forward, but they invited TTF guitarist Taylor Frederick out for a little extended collaboration on â€śBluejeans Pizza.â€ť This particular version went well over fifteen minutes and included lockstep transition into a perfect â€śWaiting For The Punchline.â€ť moe. just knows how to build a proper set: peaks and valleys, ebbs and flows, they get it. â€śPunchlineâ€ť just exploded into an all out dance party before the band gave a two minute tease with their punkish rendition of a rare tune off of their 2002 Seasonâ€™s Greetings album, â€śWeâ€™re a Couple of Misfits.â€ť â€śJazz Wankâ€ť went sort of bouncy as they built the intricate layers of that song. They segued beautifully into the set-closing â€śBuster.â€ť A great closer, this song became a giant sing-along before moe. called it a set.
The Ogden crowd seemed to be fairly in tune with the band and the atmosphere on Saturday night was damn near textbook. moe. opened the second set with a tight and invigorating â€śQueen Of Everything.â€ť Jim Loughlin and Vinnie Amico went back and forth on percussion, pushing the song to its absolute limit. The subtle segue into â€śGeorgeâ€ť did little to foreshadow the massiveness of this version. Al blasted off on vocals as the rest of the band fell into a stone groove. The band finally paused momentarily before again launching off into a much appreciated â€śCaptain America.â€ť Chuck and Al shared the microphone for â€śSeat Of My Pants,â€ť which went intensely metal for the jam. The â€śYodelittleâ€ť sandwich with â€śLazarusâ€ť as the baloney was the highlight of the second set. They closed with an incredible â€śDr. Graffenbergâ€ť and continued the recent tradition of pushing this song into the psychedelic stratosphere through deliberate and distorted jamming.
As usual, Al paid his respects to the crowd before they launched into a one song encore. This time fans were treated to a high-energy burn in the form of â€śAkimbo.â€ť It was fitting conclusion as both shows at The Ogden were solid and despite the weather, fans enthusiastically engaged in the experience