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Reviews > CDs

Published: 2012/06/28

by Bill Murphy

The Sugarman 3: What the World Needs Now

Daptone

It’s been more than a hot minute—ten years, in fact—since Pure Cane Sugar, The Sugarman 3’s rough-and-tumble basement funk masterpiece, sweetened the pot for retro soul heads everywhere (and with guest spots from Lee Fields, Charles Bradley and heavyweight drummer Bernard Purdie, it was pretty much a no-brainer). In the interim, saxophonist Neal Sugarman has been busy—primarily on the road with Sharon Jones and The Dap-Kings, but also as the titular head of the Daptone label itself. What the World Needs Now, by contrast, is the sound of an organ trio (with a little help from bassist and producer Gabe Roth) re-settling after a long hiatus into a deep, luxurious and unhurried pocket, in the groove sense of the word. Some hints of S3’s boogaloo roots are still there (the sax solodriven “Your Friendly Neighborhood Sugarman” and the appropriately New Orleans-style “Witches Boogaloo”), but overall, the vibe here is sophisticated and cerebral, with a characteristic nod to David Axelrod’s late ‘60s Capitol productions. In these revved-up times, it’s a throwback that suits.

Comments

There is 1 comment associated with this post

Alfredo July 20, 2012, 18:25:01

I am sorry to post twice, but I often recognise synth sodnus from individual groups in certain periods, and often never from other groups. Is this because groups wish to use their own sound and not be accused of copying? If 2 people buy identical synths will they produce the same sodnus? Or can you manipulate a synth to produce unique sound? Can an artist own the rights to a sound, like a lyric ie if my record ends up with the same bleeping sound as your’s can you sue me for plagiarism?

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