Current Issue details

Current Issue details

Buy Current Issue

April - May Issue details

April - May Issue details

March Issue details

March Issue details

January - February Issue details

January - February Issue details

Reviews > CDs

Published: 2012/06/21

by Bill Murphy

Metric: Synthetica

MMI/Mom+Pop

If you’ve seen Danish director Nicolas Winding Refn’s buffed-chrome LA thriller Drive, then you’ve got a conceptual jump on Metric’s latest album. “A Real Hero,” which features the chillwavy vocals of Toronto-based duo Electric Youth, is the sleek center of that film’s score—and a faint reminder of the dystopian electrofuture that Metric lead singer Emily Haines portrays on Synthetica. From the tech-rocker “Youth Without Youth” to the tearful and trippy “Clone,” Haines can sound, by turns, deeply human and vaguely humanoid, her supple voice tracing a wide arc of characters that convey love, wonder, ecstasy, malaise and menace with equal weight (and at times, equal detachment). Through it all, the band—guitarist James Shaw, bassist Josh Winstead and drummer Joules Scott-Key—gives her the foundation she needs, synthesizers and vocal filters at the ready, to stretch out further than ever.

Comments

There is 1 comment associated with this post

Jansen July 20, 2012, 19:19:17

Misty, sounds like I taeppd a resonant chord with you! Edge of Seventeen oh my, the memories I’m a bit older than you, so I belted my share of Joan Jett, but it was Pat Benatar who I worshipped. On my 19th birthday, my favorite band was playing at a local club and their female singer was sick that night. My best friend talked the guys into letting me sing Heartbreaker with them that night. It went so well, the band manager offered me a job! I later sang Journey covers with a local band called Sabotage for about a month. My real break came singing Juice Newton, Anne Murray, Everly Brothers and Bette Midler songs with a local guitarist at a bunch of restaurants around Cleveland’s east side. Wow, I’m taking quite the trip down memory lane today. Thanks, all, for sharing your stories, too!

Note: It may take a moment for your post to appear

(required) (required, not public)

Relix A/V

The Howlin’ Brothers "Big Time"

The Howlin’ Brothers take to the Relix rooftop and share a song they wrote with Warren Haynes.

Beth Hart "Baddest Blues"

Beth Hart shares the opening track from her latest album, Bang Bang Boom Boom, live at Relix.

Jamie Lidell "A Little Bit More"

Jamie Lidell sets up in the Relix boiler room and delivers a tune from his 2005 album Multiply

King Lincoln "Coffee"

Duane Trucks is happy to announce his new project, King Lincoln. Watch them perform “Coffee” live and acoustic at Relix’s Online-Video Coordinator’s loft in Williamsburg.

Crystal Bowersox "Dead Weight"

Here’s another song from Crystal Bowersox’s new record All That For This, live at Relix.

WYATT "Four and Twenty"

WYATT share a song in the famed Relix boiler room.

Goodnight, Texas "The Railroad"

Goodnight, Texas share a song from their latest studio album, A Long Life of Living, live at Relix.

Warren Haynes "Railroad Boy"

Warren Haynes performs a solo, acoustic version of “Railroad Boy” and explains how he adapted the traditional Celtic song for Gov’t Mule, backstage at the Hangout Music Festival.

Alpine "Hands"

Australia’s Alpine recently made their NYC debut at the Relix office with this song from their new album A is for Alpine.

Brendan Bayliss and Jake Cinninger "The Pequod"

In honor of Umphrey’s McGee’s return to Summer Camp this weekend, we present the group’s Brendan Bayliss and Jake Cinninger performing this version of “The Pequod” from UM’s Anchor Drops.