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Reviews > CDs
Phish: 8.13.10, Deer Creek
JEMP
Phish’s tour stop at the Verizon Wireless Music Center, better known as Deer Creek, on August 13 served as the band’s 20th visit to the coveted outdoor venue in the cornfields of Noblesville, In. This was the second performance of a two-night run on the second leg of Phish’s summer tour that saw the band functioning as the well-oiled machine that often emerges as a tour nears its end. Amid soaring temperatures reaching into the 90s, the band delivered two high-energy sets heavy on rock, yet noticeably light on improv. Highlights include the appearance of “Walls of the Cave” in the first set—the first since its opening spot at Coventry—and a patch of psychedelic jamming during “Light” in the second. As expected, Fred Kevorkian’s re-masters of the original live mixes attain a level of clarity rarely heard on live concert recordings. However, out of all the recent re-masters, this one seems to be the least exciting.
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Golden Bloom stopped by Relix to perform a tune from their latest EP No Day Like Today.
The Chapin Sisters "Crying in the Rain"
The Chapin Sisters share an tune from their new album A Date With the Everly Brothers.
Night Moves "Country Queens"
Minneapolis-based Night Moves share a song from their record, Colored Emotions, live at Relix.
The Giving Tree Band "Brown Eyed Women"
The Giving Tree Band enjoy a spring day on the Relix rooftop, while performing a classic Grateful Dead tune.
Hayden "Blurry Nights"
Canadian singer-songwriter Hayden performs a duet with his sister-in-law Lou Canon. The song appears on Us Alone his first record on Broken Social Scene’s Arts & Crafts Productions.
The Milk Carton Kids "Hope of a Lifetime"
The Milk Carton Kids share the first song from their new album, The Ash & Clay.
Premiere: Ana Popovic "Object Of Obsession"
Here is the new video from Serbian guitar ace Ana Popovic. “Object Of Obsession” appears on her latest album Can You Stand The Heat.
Ron Sexsmith "Nowhere To Go"
Ron Sexsmith visits the Relix office to perform a tune from his latest record Forever Endeavor.
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