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The String Cheese Incident: Rhythm of the Road: Volume 1, Incident in Atlanta – 11.17.00

SCI Fidelity
Most great live bands that seminal live moment of musical harmony where everything flows perfectly—a mighty river rolling to the sea. String Cheese Incident’s moment came on Nov. 17, 2000, at a time when the band was hitting its stride, developing a rabid fanbase and adjusting to larger venues. This three-CD show from the Tabernacle—the first of the Rhythm of the Road releases—finds the band on fire, hitting new heights. Crowd energy is through the roof as SCI offers a stellar, varied performance of homegrown favorites, bluegrass and covers of Led Zeppelin, John Coltrane, Talking Heads, Peter Gabriel and Peter Rowan. Banjo whiz Tony Furtado joins for six songs, pushing the musical interplay even further, especially on a powerful “Black Clouds.” For many, it remains the incident.
Relix A/V
Golden Bloom "Flying Mountain"
Golden Bloom stopped by Relix to perform a tune from their latest EP No Day Like Today.
The Chapin Sisters "Crying in the Rain"
The Chapin Sisters share an tune from their new album A Date With the Everly Brothers.
Night Moves "Country Queens"
Minneapolis-based Night Moves share a song from their record, Colored Emotions, live at Relix.
The Giving Tree Band "Brown Eyed Women"
The Giving Tree Band enjoy a spring day on the Relix rooftop, while performing a classic Grateful Dead tune.
Hayden "Blurry Nights"
Canadian singer-songwriter Hayden performs a duet with his sister-in-law Lou Canon. The song appears on Us Alone his first record on Broken Social Scene’s Arts & Crafts Productions.
The Milk Carton Kids "Hope of a Lifetime"
The Milk Carton Kids share the first song from their new album, The Ash & Clay.
Premiere: Ana Popovic "Object Of Obsession"
Here is the new video from Serbian guitar ace Ana Popovic. “Object Of Obsession” appears on her latest album Can You Stand The Heat.
Ron Sexsmith "Nowhere To Go"
Ron Sexsmith visits the Relix office to perform a tune from his latest record Forever Endeavor.
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