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CD REVIEW

Hank Williams: The Garden Spot Programs, 1950

by Jesse Jarnow on July 23, 2014
A recently uncovered tape confirms that a half-hour of prime, unissued Hank Williams is something rare and special indeed. On The Garden Spot Programs, between DJ chatter and promo spots for a...
CD REVIEW

Puss N Boots: No Fools, No Fun

by Lee Zimmerman on July 22, 2014
Consider this CSN’s feminine alter ego. Norah Jones continues her transition from late-night chanteuse to Americana enthusiast with Puss N Boots, a supergroup of sorts that teams her with...
CD REVIEW

Ginger Baker: Why?

by Jeff Tamarkin on July 21, 2014
Anyone who’s seen the documentary Beware of Mr. Baker or read an interview with the irascible musician knows that Ginger Baker doesn’t have much love for rock drummers (or people in general,...
CD REVIEW

Freeman: FREEMAN

by Glenn BurnSilver on July 18, 2014
Aaron Freeman, half of Ween (Gene), always offered a diverse array of explorations— musically and lyrically. It isn’t surprising, then, that FREEMAN opens with what is perhaps rock’s most...
CD REVIEW

Professor Longhair: The Last Mardi Gras

by Glenn BurnSilver on July 17, 2014
Henry Roeland “Roy” Byrd, aka Professor Longhair, single-handedly created his own genre. A meld of boogie-woogie, rhythm and blues, New Orleans jazz and Creole cadence, Byrd developed a...
CD REVIEW

Drowning Clowns: All That’s Covered Over

by Abbe Ouziel on July 16, 2014
All That’s Covered Over is the debut album by self-proclaimed psychedelic-rock orchestra, Drowning Clowns. The Pittsburgh-based band began as a passion project for musician Mike Speranzo, who...
CD REVIEW

Ghost Owl: Say Goodbye to Finland

by Brian Bavosa on July 15, 2014
Reinventing yourself, while holding onto your roots, can be an extremely difficult process. Sometimes, a certain sustainable groove emerges from a shadow—or ghost—of your former self....
SHOW REVIEW

The Jezabels at Brighton Music Hall

by Matthew Shelter on July 14, 2014
The Jezabels Brighton Music Hall Boston, MA June 17 From the opening song of The Jezabels show at the intimate Brighton Music Hall in Boston, the thought comes to mind that...
CD REVIEW

Marc Ribot Trio: Live at the Village Vanguard

by Jeff Tamarkin on July 14, 2014
Jazz has never been Marc Ribot’s main thing, but that’s mainly because Ribot doesn’t have a main thing. Since appearing on the NYC scene in the ‘80s, the guitarist has collaborated with...
CD REVIEW

John Hiatt: Terms of My Surrender

by Nancy Dunham on July 11, 2014
The songs on John Hiatt’s new album Terms of My Surrender are so grimy and gritty that the sound conjures the cigarette-smoke-and-cheap-liquor smell of old-style blues clubs. With his...

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