Features
Published: 2012/11/13
by Aaron Kayce
Jerry Joseph: I’m F***ing Happy

Having interviewed Joseph more than a dozen times throughout the past decade, traveled through Europe on a tour bus with him and spent many hours in his company stretching from hard drinking nights to sober, Red Bull guzzling ones (he’s been completely sober since Halloween 2008), I can assure you, “a good time” is not the first term that comes to mind. He’s a hot headed, contradictory, opinionated Lebanese-Syrian-Irish-Catholic with a serious Napoleon complex and a tiny fuse. He’s also one of the most intelligent, well- read, loyal, talented, caring and interesting people I’ve ever met.
“People love Jerry,” says Schools. “He can be a very difficult person to be with, but it’s worth it.” In management offices and inner-band circles, this is the knock on Joseph: too difficult. “I always laugh about that,” says Joseph, “I think difficult is in how much you’re getting paid.”
And he’s right, when Van Halen require all brown M&Ms be removed from their candy bowl or rock stars throw tantrums for any number of reasons, it’s deemed “part of the deal,” or perhaps even quaint. There’s simply too much money on the table for managers or venues to complain. But when Joseph, or any of the other musicians out there playing bars and small theaters, blows his top, the profit margins are way too slim (if existent at all) for anyone other than those who genuinely appreciate his music to put up with it.
There’s a strong argument to be made that without the turmoil that Joseph and artists in general create, there wouldn’t be any music. “I’ve got a guy that helps me with management stuff,” explains Joseph. “He says to me the other day, ‘I don’t know if I can deal with all the drama.’ And I’m like, ‘Is it art?’ And he says, ‘Yes, I think at this point, Jerry, you are an artist.’ Then it’s all fucking drama, because I don’t know anybody that makes good art that’s not dramatic on some level.”
Earlier this year, Joseph released his ninth Jackmormons record and 25th record overall (including live efforts and EPs), the double album Happy Book. Inspired by the recent death of his father and birth of his son, the songs swing dramatically from dark to light and at various points, like all his best material, deal with God, sex and drugs on some level.
“I think it’s getting better,” says Joseph about The Jackmormons. “That’s a pretty pretentious thing to say, but I feel like the music is getting better. The writing is getting better to me. And maybe that’s the reward, that because I didn’t get millions of dollars and I don’t have the new Audi commercial, it’s also not sucking more. That might be all there is—that might be the end of the story.”
It’s true that a lack of success and comfort has kept Joseph hungry, forcing him to work hard for every dime and angry enough to continue to create primal, vital rock and roll. And perhaps integrity is all he gets for it, but it’s also possible, as Schools likes to think, that Joseph could triumph in the end like many artists before him have—well after his days on Earth. But Joseph is not ready to give up on the here and now just yet.
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PHansen November 13, 2012, 17:49:25
TMWSIY parker November 14, 2012, 17:10:04
Conrad November 14, 2012, 20:01:41
Chicoavenue November 14, 2012, 23:58:04
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colin November 15, 2012, 22:44:49