Features
Published: 2012/03/23
by Richard Gehr
Page McConnell, Oteil Burbridge and Russell Batiste: Living La Vida Blue (Relix Revisited)
Today we look back to the August-September 2002 issue of Relix and this feature on Page McConnell’s Vida Blue project with Oteil Burbridge and Russell Batiste.

It was September 16, 2001—“that” week—when an unnamed trio consisting of keyboardist-bandleader Page McConnell, bassist Oteil Burbridge and drummer Russell Batiste entered Piety Street Recording, located in New Orleans’ ragged but righteous ninth ward, with the goal of cutting an album in six days. City hotels were uncharacteristically empty during their stay, and the French Quarter was devoid of the merrymakers who’ve gradually transformed Bourbon Street from a jazz Mecca into a binge drinker’s paradise. “It was pretty weird,” McConnell recalls. “We were supposed to start recording on the 15th, but all the airports were still shut down. It was a strange time to be away from home and in New Orleans. It was therapeutic to be in the studio and making music.”
The band acquired a sporty new moniker—Vida Blue—a few months later. It’s also the title of their swank new album, a mixture of heady electronica and bootstrap techno, greasy funk, slippery jazz textures and subtle suburban soul. Mostly instrumental, with a few McConnell vocals not unreminiscent of his laid-back approach to Phish’s “Strange Design,”_Vida Blue_ arrives just as both keyboard trios and ‘80s electronic music are enjoying revivals. The group made its live debut with two shows at the end of last year, played a handful of dates this spring, and hit the major markets this summer following the album’s June release.
Back in the saddle again, Phish’s “Chairman of the Boards” found himself unemployed when the quartet decided to put the group on hold as of October 2000 in order to pursue individual interests, both musical and personal. But unlike Trey, who can throw a band together faster than most people can make a sandwich, or Jon Fishman, who drums with Pork Tornado and Jazz Mandolin Project, or filmmaker-bassist Mike Gordon, McConnell had rarely worked outside Phish, his first and only band to date.
McConnell realized he needed to dive into another project or assemble a band as soon as Phish stopped playing. “I really wanted to do something on my own,” he says, “but it took me about a year to figure out what I wanted to do on my first project outside Phish, or who I wanted to work with.”
He made lists of musicians he admired as possible colleagues. Then in April 2001 he caught two Allman Brothers Band shows at the Beacon Theatre in New York, and paid particular attention to Oteil Burbridge,with whom he’d long been friendly.A couple of weeks later, he saw the funky Meters at Irving Plaza and asked drummer Russell Batiste if he might be interested in doing something sometime.
“That’s when the light bulb went on,”McConnell says.
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Dld April 23, 2012, 02:44:10