Features
Published: 2012/03/16
Group At Work: Good Old War

Photo by Andy Patch
In early 2008, Keith Goodwin found himself at a crossroads. Days Away—the successful pop-punk band that he co-founded in Langhorne, Pa. as a teenager—decided to call it quits after a decade when their keyboardist left for law school. He’d also started working with Dan Schwartz, a Philadelphia musician with some serious acoustic guitar skills.
So when alternative/emo singer Anthony Green offered to take them on tour, Goodwin, Schwartz and Days Away drummer Tim Arnold decided to try something completely different—in front of a rather large crowd.
“We were playing for 500 people a night, opening up and backing Anthony,” Goodwin says of the early outings. “We wrote songs on the way to the shows and played acoustic versions of our old band’s songs—we figured we were onto something so we kept going with it.”
Taking the name Good Old War—a combination of letters from their last names—the three musicians quickly honed in on an acoustic-driven, Americana-leaning sound that owed more to Crosby, Stills & Nash’s lush, folk-rock harmonies than Days Away’s alternative energy.
“I didn’t want to play loud rock music for the rest of my life,” the Good Old War frontman continues. “I’ve always been into good pop music and I wanted to sing softer instead of playing over six people.”
Despite averaging about 150 shows a year, Good Old War churns out songs at a rapid pace: The trio already had two full-length releases and several EPs by mid-2010.
Last spring, the band shook things up once again and spent time in Omaha, Neb. at Mike Mogis’ Another Recording Company with producer Jason Cupp. The band stayed on the premises and captured the energy and spontaneity of their live show.
“In the past, our songs changed as we played them live and we wanted to get to that point before we recorded them this time,” Goodwin says of the roughly 30 songs they brought to Omaha.
Though they are scheduled to release the resulting record, Come Back as Rain, in early March, Goodwin already has some thoughts about his next studio project: “I feel like we can use some of our leftover songs—start there and see what else we can pop out.”
Relix A/V
Beth Hart "Baddest Blues"
Beth Hart shares the opening track from her latest album, Bang Bang Boom Boom, live at Relix.
Jamie Lidell "A Little Bit More"
Jamie Lidell sets up in the Relix boiler room and delivers a tune from his 2005 album Multiply
King Lincoln "Coffee"
Duane Trucks is happy to announce his new project, King Lincoln. Watch them perform “Coffee” live and acoustic at Relix’s Online-Video Coordinator’s loft in Williamsburg.
Crystal Bowersox "Dead Weight"
Here’s another song from Crystal Bowersox’s new record All That For This, live at Relix.
Goodnight, Texas "The Railroad"
Goodnight, Texas share a song from their latest studio album, A Long Life of Living, live at Relix.
Warren Haynes "Railroad Boy"
Warren Haynes performs a solo, acoustic version of “Railroad Boy” and explains how he adapted the traditional Celtic song for Gov’t Mule, backstage at the Hangout Music Festival.
Alpine "Hands"
Australia’s Alpine recently made their NYC debut at the Relix office with this song from their new album A is for Alpine.
Brendan Bayliss and Jake Cinninger "The Pequod"
In honor of Umphrey’s McGee’s return to Summer Camp this weekend, we present the group’s Brendan Bayliss and Jake Cinninger performing this version of “The Pequod” from UM’s Anchor Drops.
Latest Content
- Daft Punk: Random Access Memories
- Visions of Bonnaroo Thursday (ALO, Jack Johnson, Polyphonic Spree, Allen Stone…)
- Deer Tick Share "The Rock"
- Win a pair of passes to The NINES Festival
- Robert Hunter Will Return to the Stage for Eight Shows
- Mumford & Sons’ Ted Dwane Shares Photo, Update
- Jack Johnson: Bonnaroo Song, Mumford Cover, "Mudfootball" with Preservation Hall Jazz Band
- The Making of Pretty Lights’ A Color Map of the Sun
Comments
There are 2 comments associated with this post
Chris March 26, 2012, 02:09:46
Chris March 26, 2012, 02:11:30