Current Issue details

Current Issue details

Buy Current Issue

March Issue details

March Issue details

January - February Issue details

January - February Issue details

December Issue details

December Issue details

Features

Published: 2012/01/26

by Jeff Tamarkin

The Original Rebel Rouser: Duane Eddy

One afternoon in the early ‘90s, while sitting around a conference table in one of the major record labels’ offices, the Rock & Roll Hall of Fame’s nominating committee was discussing who was eligible for induction that year. Label executives, music journalists and other august industry hoi polloi were tossing around names when the door opened and an uninvited guest walked in. John Fogerty had made the trip to New York for one reason only: to do his best to convince this board of tastemakers that they were overlooking someone important. Fogerty’s unexpected but impassioned speech worked and they inducted Duane Eddy in 1994.

“Duane Eddy was the front guy, the first rock and roll guitar god,” Fogerty later said, and he wasn’t the only A-list rocker who felt that way. From The Beatles to Bruce Springsteen, Duane Eddy’s trademark “twang” guitar sound made a massive impression on future pickers. Between 1958 and 1964 he landed more than two dozen singles in the Billboard Top 100, and three of them—“Rebel Rouser,” “Forty Miles of Bad Road” and “Because They’re Young”—climbed to the top 10.

Without ever singing a note, Duane Eddy remains one of the most successful and influential instrumental artists in rock history.

Eddy never stopped performing, but like many of his early-rock peers he did slow down. His last brush with success came in 1986, when he collaborated with British synth-poppers Art of Noise on a remake of Eddy’s 1960 movie theme hit “Peter Gunn.” A subsequent album featured guests such as Paul McCartney, George Harrison, Fogerty, Steve Cropper, Ry Cooder and others. Then…nothing. “Nobody was interested,” Eddy says.

But now, someone is. Richard Hawley, a guitarist and producer best known as a member of the Britpop band Pulp, connected with Eddy and let the now 73 year old know that he was a fan. Before long, Hawley and bassist Colin Elliot found themselves ensconced with the twang-meister in a studio in Sheffield, England, producing Road Trip, Eddy’s first album of new material in a quarter-century.

“His dad had played him some of my things back in the day and told him, ‘When you can play this good you can call yourself a guitar player,’” Eddy says about Hawley. “He took it to heart and here we are.”

Road Trip avoids the retro trap but sounds just like, well, a Duane Eddy record—Eddy still plays the instantly identifiable twang on the low-note strings of a Gretsch guitar, with echo and vibrato front and center. “The twang developed because I got tired of hearing rock and roll licks on the high strings,” says Eddy. “It was always the same thing. I wanted to do something different. I thought, ‘Try playing down low.’ I knew that the low strings recorded stronger and more powerfully than the high strings.”

Born in Upstate New York, Eddy moved to Arizona during his youth; he says that the bigness and openness of his guitar tone owes much the vastness of the desert. While attending high school in the city of Coolidge, he met a young, ambitious disc jockey and aspiring producer/songwriter named Lee Hazlewood. Sensing a talent in Eddy that was worth nurturing, Hazlewood—whose own career would later take off in a big way—became the teenage guitarist’s manager and producer, took him to Phoenix, and before long, the hits arrived at a rapid pace.

Eddy became a sensation, touring the United States and abroad on package shows with other rock pioneers, appearing on Dick Clark’s American Bandstand and other popular TV programs, and maintaining a dizzying pace of recording three albums per year. Then, in 1964, rock and roll started to change. “When The Beatles came along, I thought, ‘Gosh, what a good little garage band,’” Eddy says. “I had no idea they were going to be as huge as they turned out to be. Nobody did. I was still having chart records but it was starting to wane at that point anyway.”

Today, Eddy is content. He still has a devoted fan base and his place in rock history is secure. “I came along with something different and I can still work,” he says. “I got more out of this than I ever expected.”

Comments

There are 3 comments associated with this post

Jim Barry January 26, 2012, 22:09:40

I’m one of those in the “fan base” and have been since Rebel Rouser, Cannonball and standards like Lonesome Road appeared on the FIRST Stereo Rock album – Have Twangy Guitar-Will Travel. I didn;t know the John Fogerty story. Thanks for sharing.

Bear Bistrow January 30, 2012, 23:49:47

Duane Eddy was the reason I picked up the guitar in 1957. He has been my idol ever since. We have since met and become good friends and he has even been to my home for a jam session with two other super picker friends of mine. It has been a dream come true for me. Duane is one of the nicest guys you’ll ever meet.

Izumi February 26, 2012, 22:12:23

Eddie Aikau was not just some sferur dude in search of a large wave. He was a lifeguard who would always go to help some hapless swimmer when the waves were so big (30 to 50 feet) no one else would dare a rescue. Eddie died as a member of a Polynesian Voyaging Canoe Hokulea (Hawaii to Tahiti), the canoe swamped and started to sink in the middle of a storm at night. Eddie took his board and went for help but did not make it to shore. Much more dedicated than some mere bicycle rider!

Note: It may take a moment for your post to appear

(required) (required, not public)

Relix A/V

Golden Bloom "Flying Mountain"

Golden Bloom stopped by Relix to perform a tune from their latest EP No Day Like Today.

The Chapin Sisters "Crying in the Rain"

The Chapin Sisters share an tune from their new album A Date With the Everly Brothers.

Night Moves "Country Queens"

Minneapolis-based Night Moves share a song from their record, Colored Emotions, live at Relix.

Cloud Cult "Complicated Creation"

Cloud Cult share a song from their latest album live at Relix.

The Giving Tree Band "Brown Eyed Women"

The Giving Tree Band enjoy a spring day on the Relix rooftop, while performing a classic Grateful Dead tune.

Hayden "Blurry Nights"

Canadian singer-songwriter Hayden performs a duet with his sister-in-law Lou Canon. The song appears on Us Alone his first record on Broken Social Scene’s Arts & Crafts Productions.

The Milk Carton Kids "Hope of a Lifetime"

The Milk Carton Kids share the first song from their new album, The Ash & Clay.

Premiere: Ana Popovic "Object Of Obsession"

Here is the new video from Serbian guitar ace Ana Popovic. “Object Of Obsession” appears on her latest album Can You Stand The Heat.

Ron Sexsmith "Nowhere To Go"

Ron Sexsmith visits the Relix office to perform a tune from his latest record Forever Endeavor.

Crystal Bowersox "I Am"

Crystal Bowersox stops by Relix to perform a song from her new album, All That For This.