Current Issue details

Current Issue details

Buy Current Issue

April - May Issue details

April - May Issue details

March Issue details

March Issue details

January - February Issue details

January - February Issue details

Features

Published: 2011/07/01

by David Steinberg

The OTHER Watkins Glen Festival

Super Ball IX is not Watkins Glen’s first music festival. In 1973 the site hosted Summer Jam, a “one-day” concert with The Band, The Allman Brothers Band, and The Grateful Dead. As you can imagine, that lineup had some serious drawing power. The promoters sold 150,000 tickets to the event – itself an unimaginable crowd – but three times that number also got in for free. To put that in Phish terms, take the crowd at The Clifford Ball, put it next to The Great Went crowd, stir in some Lemon wheel, and then add in the heat addled Camp Oswego population, the tired Cypressians, and the muddy It and Coventry people and you’d still be an entire festival crowd population short. This was the entire population of Baltimore or Seattle put into a concert grounds. It’s an event on a scale different than anyone would ever consider now.

When four times as many people showed up for your event as you planned for, some things will have to give. Any semblance of a parking plan ended quickly as people moved to the ditch your car somewhere and walk plan. Water, food, and bathrooms were all in short supply. As if that weren’t enough, the weather decided to add to the excitement. Incredible heat led to thunderstorms – The Band’s set was delayed by them – which then turned into bitter cold; according to a review in The Deadhead Taping Compendium, someone actually burned the portable toilets for heat. Due to the size of the event, most of the crowd had no hope of seeing the bands. Stand in the very band of the concert area this weekend and you’ll be closer to the stage than 90% of the crowd was at Summer Jam and they didn’t have high definition video screens.

What they did have was repeater speakers and a sense of adventure. Woodstock was a recent memory, still non-corrupted by its sequels. Parking your car somewhere along the miles of back roads trying to find the concert, and ending up completely covered in mud was considered almost a badge of honor.

A lot of the music of Summer Jam is lost to history. Recordings of The Allman Brothers and Band sets exist but are muddy and hard to find. The Band released an album called Live at Watkins Glen but it’s largely studio tracks with crowd noise and thunder overdubbed. Fortunately you can count on the Good Ol’ Grateful Dead to have their live shows get circulated everywhere. Both of Dead’s shows can be streamed on archive.org.

Wait. Both? More than the traffic and the rain and the crowds, Watkins Glen is known for its soundcheck. When The Band came out to practice the night before they were stunned to discover that there was a crowd already. They played a few songs and then The Allmans played a few songs and then The Dead played a few sets. You couldn’t get The Dead off of the stage in the mid 70s. When presented with a chance to entertain thousands of people, they played for nearly two hours in a low pressure environment; Phil frequently reminded the crowd that, “This is only a test,” and at one point reminded the crowd that this, “means you’ll forgive us anything tonight.”

Comments

There are 3 comments associated with this post

Dolly July 7, 2011, 11:54:16

It’s about time smoonee wrote about this.

paintbrain January 4, 2012, 23:34:15

Hitch hiked from the bay area to NY not knowing there was a show. Was headed to Long Island and wound up there. Nothin’ but fun! Beautiful people, interesting drugs and great music.

Stevie Z February 24, 2012, 18:09:22

I hitched with two friends (RI) and got there by walking and walking and walking…what I remember most: 1) Meeting a friend from town (EG)/out of nowhere and not getting a ride back from another ‘friend’. 2) The Allman Brothers jamming away! 3) Buying an official Summer Jam tee-shirt/grabbing a concert site map and keeping my ticket (which recently disappeared). 3) Getting hold of some great mescaline tabs/to be consumed later and finally, 4) Having the time of my life/making the most of my freedom at that age (20)/and being a part of the music scene/culture which dominated young life at that time…............

Note: It may take a moment for your post to appear

(required) (required, not public)

Relix A/V

Beth Hart "Baddest Blues"

Beth Hart shares the opening track from her latest album, Bang Bang Boom Boom, live at Relix.

Jamie Lidell "A Little Bit More"

Jamie Lidell sets up in the Relix boiler room and delivers a tune from his 2005 album Multiply

King Lincoln "Coffee"

Duane Trucks is happy to announce his new project, King Lincoln. Watch them perform “Coffee” live and acoustic at Relix’s Online-Video Coordinator’s loft in Williamsburg.

Crystal Bowersox "Dead Weight"

Here’s another song from Crystal Bowersox’s new record All That For This, live at Relix.

WYATT "Four and Twenty"

WYATT share a song in the famed Relix boiler room.

Goodnight, Texas "The Railroad"

Goodnight, Texas share a song from their latest studio album, A Long Life of Living, live at Relix.

Warren Haynes "Railroad Boy"

Warren Haynes performs a solo, acoustic version of “Railroad Boy” and explains how he adapted the traditional Celtic song for Gov’t Mule, backstage at the Hangout Music Festival.

Alpine "Hands"

Australia’s Alpine recently made their NYC debut at the Relix office with this song from their new album A is for Alpine.

Brendan Bayliss and Jake Cinninger "The Pequod"

In honor of Umphrey’s McGee’s return to Summer Camp this weekend, we present the group’s Brendan Bayliss and Jake Cinninger performing this version of “The Pequod” from UM’s Anchor Drops.

Dame "Sugar Muffin"

Dame shares a song from her new EP Preventions of Heartbreak.