Bruce Springsteen Issues Statement on High Hopes
Earlier this week, Bruce Springsteen announced his 18th studio album, High Hopes will be released on January 14. The album, which features several reworked songs along with covers, new material and numerous guest spots from Rage Against the Machine guitarist Tom Morello. Today, Bruce took to his website to post a statement about the forthcoming release and to timeline it out for fans. He mentions Morello, who replaced guitarist Stevie Van Zandt during the band's Australian tour, urging Bruce to put "High Hopes" on the setlist, which he obliged. "We worked it up in our Aussie rehearsals and Tom then proceeded to burn the house down with it," Springsteen says.
To sum it up, Bruce says that this is music he "always felt needed to be released" and that they "all deserved a home and a hearing." No word on whether Morello will join the group on tour this year to support the record, but one would have to bet that the Rage guitarist will find his way on stage with The Boss at some point.
Here is the full statement from Bruce posted to his website earlier today:
I was working on a record of some of our best unreleased material from the past decade when Tom Morello (sitting in for Steve during the Australian leg of our tour) suggested we ought to add â€śHigh Hopesâ€ť to our live set. I had cut â€śHigh Hopes,â€ť a song by Tim Scott McConnell of the LA based Havalinas, in the 90â€˛s. We worked it up in our Aussie rehearsals and Tom then proceeded to burn the house down with it. We re-cut it mid tour at Studios 301 in Sydney along with â€śJust Like Fire Would,â€ť a song from one of my favorite early Australian punk bands, The Saints (check out â€śIâ€™m Strandedâ€ť). Tom and his guitar became my muse, pushing the rest of this project to another level. Thanks for the inspiration Tom.
Some of these songs, â€śAmerican Skinâ€ť and â€śGhost of Tom Joad,â€ť youâ€™ll be familiar with from our live versions. I felt they were among the best of my writing and deserved a proper studio recording. â€ťThe Wallâ€ť is something Iâ€™d played on stage a few times and remains very close to my heart. The title and idea were Joe Grusheckyâ€™s, then the song appeared after Patti and I made a visit to the Vietnam Veterans Memorial in Washington. It was inspired by my memories of Walter Cichon. Walter was one of the great early Jersey Shore rockers, who along with his brother Ray (one of my early guitar mentors) led the â€ťMotifsâ€ť. The Motifs were a local rock band who were always a head above everybody else. Raw, sexy and rebellious, they were the heroes you aspired to be. But these were heroes you could touch, speak to, and go to with your musical inquiries. Cool, but always accessible, they were an inspiration to me, and many young working musicians in 1960â€˛s central New Jersey. Though my character in â€śThe Wallâ€ť is a Marine, Walter was actually in the Army, A Company, 3rd Battalion, 8th Infantry. He was the first person I ever stood in the presence of who was filled with the mystique of the true rock star. Walter went missing in action in Vietnam in March 1968. He still performs somewhat regularly in my mind, the way he stood, dressed, held the tambourine, the casual cool, the freeness. The man who by his attitude, his walk said â€śyou can defy all this, all of whatâ€™s here, all of what youâ€™ve been taught, taught to fear, to love and youâ€™ll still be alright.â€ť His was a terrible loss to us, his loved ones and the local music scene. I still miss him.
This is music I always felt needed to be released. From the gangsters of â€śHarryâ€™s Place,â€ť the ill-prepared roomies on â€śFrankie Fell In Loveâ€ť (shades of Steve and I bumming together in our Asbury Park apartment) the travelers in the wasteland of â€śHunter Of Invisible Game,â€ť to the soldier and his visiting friend in â€śThe Wallâ€ť, I felt they all deserved a home and a hearing.
Hope you enjoy it,