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Show Reviews
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Written by Wes Orshoski
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Tuesday, 18 September 2007 |
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Photo by: Wes
Orshoski
When Ray
director Taylor Hackford refurbished and expanded his 1986 Chuck Berry tribute Hail!
Hail! Rock ‘N’ Roll last summer—to mark the 20th anniversary of
the part-concert, part-documentary film—it revived some long-festering negative
opinions about the pioneer. In it, Berry appears unapologetically disconnected
from his fans and aura; he’s sort of a soulless, time-card-punching star whose
backing bands are often comprised of local musicians whom he doesn’t know, and
meets only moments before each show.
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Written by Shain Shapiro
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Tuesday, 18 September 2007 |
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Some things I will never understand. Girl Talk, or Greg Gillis, is one of them. He takes two songs that frequented the
airwaves during those awkward high school days and mashes them together to
change the context, mood and meaning of the originals. Sometimes he will insert
some old hip-hop track on top of a clichéd classic for ironic sentiment, like
Public Enemy over Elton John or N.W.A. over Guns n’ Roses. It’s fun, no doubt,
but it’s all a bit ridiculou
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Last Updated ( Tuesday, 18 September 2007 )
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Written by Taylor Hill
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Tuesday, 18 September 2007 |
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Photo by: Jeffrey Ufberg
Those
who came to Piedmont Park on September 8 found themselves amid a sea of
blankets, picnic baskets and oversized sunglasses. By all accounts, a normal
day in a Southern park—except for the 55,000 people, Dave Matthews Band and The
Allman Brothers Band, there to perform a benefit for a 53-acre expansion of
the Piedmont Park Conservancy.
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Last Updated ( Tuesday, 18 September 2007 )
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Written by Rob Turner
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Tuesday, 18 September 2007 |
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With
the Allman Brothers Band performing at nearby Piedmont Park,
Australian-cum-Atlantan Geoff Achison
saluted the group’s return with a solo acoustic reading of “Whipping Post”
before bringing Charlie Wooton and Yonrico Scott out from the wings.
Wooton’s smartly bubbling bass and Scott’s wizened drumming inspired Achison to
deliver strikingly angular leads, particularly when a charged “Reach For the
Sky” careened out of a deep-grooved take on “Never Give It Up.”
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Last Updated ( Tuesday, 18 September 2007 )
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Written by Randy Ray
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Tuesday, 18 September 2007 |
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Photo by: Larry
Hulst
With three bands on the bill and the theatre
already packed for the opening act, one couldn’t help but feel that the time
had arrived for the Kings of Leon in
the west. Bristling with an almost tangible feeling of tension, the quartet
burst onto the stage with a serious swagger and moody attitude. Gone were most
of the remnants of their past, when they appeared to be defining themselves
both on record and stage. Instead, the southern rockers personified a defiant
confidence that emphasized sharp, dramatic trips over punky improvisation. In
the end, it was an evening of not so much How the West Was Won but When the Big
Boss Guitar Was King.
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Last Updated ( Tuesday, 18 September 2007 )
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More...
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An afternoon to remember: Los Lonely Boys mentor Northern California kids, 9/7/07
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Bumbershoot, Seattle Center, Seattle, WA 09/01-09/03/07
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Band of Horses/ Modest Mouse, Ryman Auditorium, Nashville, TN, 8/22/07
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Bill Callahan (Smog), Museum of Fine Arts, Boston, MA, 9/8/07
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