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Show Reviews
Tibet House Benefit Print E-mail
User Rating: / 0
Written by Mike Greenhaus   
Tuesday, 13 March 2007

benefitlogo

Carnegie Hall, New York, NY
February 26, 2007

New York’s annual Tibet House Benefit started with a conversation between avant-garde composer Phillip Glass and seminal punk-poet Patti Smith and, for the past two decades, has remained an engaging discussion, if not always an invigorating performance. An all-star benefit known for its mix of art-rock elegance and festival-like eclecticism, Tibet House’s annual summit has blossomed into an Indian summer for concertgoers who are equally drawn by the event’s unique collaborations and its pro-Tibet agenda.



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Roky Erickson and the Explosives Print E-mail
User Rating: / 2
Written by Richard B. Simon   
Thursday, 08 March 2007

Great American Music Hall
San Francisco
March 1, 2007

Perhaps it is the inevitable consequence of living in a surreal time, but psychedelic music is bubbling up from the sub-earth, and this year’s NoisePop festival, San Francisco’s annual indie rock showcase –­ long the refuge of punk, power pop, and psychobilly acts – made room for some psychedelic revival.
 
Among NoisePop’s centerpiece gigs was the return of the lesser-known psychedelic warrior Roky Erickson (it’s pronounced “Rocky”) to San Francisco after 25 years. Erickson fronted the Texas-based 13th Floor Elevators in the early 1960s. The pioneers of Texas-style psychedelia, their 1966 album Psychedelic Sounds Of the 13th Floor Elevators was the first LP to adopt the term. The Elevators’ visit that year to San Francisco’s Fillmore and Avalon is often credited with infusing the local psychedelic music scene, the domain of folk pickers like Jorma Kaukonen and Jerry Garcia, to adopt some Texas teeth. You can hear the raw blues energy of the 13th Floor Elevators’ “You’re Gonna Miss Me” echoed in Big Brother’s 1968 Cheap Thrills – and throughout fellow Texan Janis Joplin’s career, for that matter.


Last Updated ( Friday, 09 March 2007 )
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Brightblack Morning Light Print E-mail
User Rating: / 3
Written by Richard B. Simon   
Thursday, 08 March 2007

Great American Music Hall
San Francisco, CA
March 3, 2007

When I first heard Pink Floyd, when I was very, very young, I had no conception that that music was coming from a bunch of guys with guitars, drums, keyboards and synthesizers. It never crossed my mind that Floyd was a rock band—it was something else, an entity. Some mysterious musical thing pumping out mind-blowing weirdness that defied understanding or classification.
 
Brightblack Morning Light is like that.


Last Updated ( Thursday, 15 March 2007 )
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Guster Print E-mail
User Rating: / 4
Written by Robin Sacher   
Tuesday, 27 February 2007

guster

Murat Egyptian Room, Indianapolis, IN
Saturday, February 24, 2007

Not rain, nor sleet, nor snow, nor the NFL Scouting Combine a few blocks away could keep Guster fans from filling the Murat Egyptian room, making it Indy’s first-ever sold-out Guster show. Lead vocalist/guitarist Ryan Miller lauded this accomplishment by informing the crowd that they had “made the Egyptian room [their] bitch.”


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Dark Star Orchestra Print E-mail
User Rating: / 8
Written by Robin Sacher   
Thursday, 22 February 2007

 

Newport Music Hall, Columbus, OH
February 3, 2007

 

Despite the somewhat erratic performance, Dead fans were once again grateful to witness history repeat itself as Dark Star Orchestra performed its rendition of GD’s December 16, 1992 performance in Oakland, CA. Despite the bitter cold night that forced many Columbus residents to shield themselves in the comfort of their own homes, bundled-up DSO fans anxiously awaited their chance to enter the Newport Music Hall. Though many donned their outerwear for the duration of the show, one could not help but admire the tenacity of the camisole-sporting girls who flailed their arms from the moment that DSO opened with “Feel Like a Stranger.”  


Last Updated ( Thursday, 22 February 2007 )
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