North Mississippi Allstars: Boogie Knights
âThis goes back to â08 and has every setlist weâve played,â he says. âWhen Iâm putting together a setlist, we never want to repeat songs we played last time in a place.â
The brothers are growing more quiet and contemplative as show time draws nearer, until Malcolm and Stud bound back on the bus. When seen up close, Studâs youth is disarming. When asked how old he is, he quickly answers, âOld enough.â In an hour, heâll be jumping onstage and offstage with the Allstars, often parading around with a strapped-on snare drum, and sometimes taking over the kit so Cody can strap on an electrified washboard or a Telecaster.
Malcolm has played bass with the Allstars for about a year, though theyâve known him for much longer. Like most things in the bandâs realm, he joined the band organically.
âWe live really close together and he began coming over to my Airstream for songwriting and jamming sessions,â Luther says. When Chew took a friendly hiatus, the band played with Pierre Wells and Alvin Youngblood Hart before Malcolm came on board.
âHell, I donât want to tell them this, but a lot of people could play what I do,â Malcolm says with a laugh. âIâm really a guitarist so when I play bass, I just play half as many notes.â
âHe brings a sensibility,â says Cody. âHe knows the music and where weâre coming from, and we learn a lot from him, too.â
Luther and Cody exhibit a natural ease, like the music just flows through them. But it took a lot of effort to achieve that effortlessness, a lifetime of music being their lives, of incorporating their influences so deeply that they become one with them, of thinking, talking, eating, breathing music every day until it becomes inseparable from everything else. As Luther walks off his bus and heads to the stage door to entertain a full theater on a Sunday night in suburban New Jersey, he smiles and says, âWe know who we are and what we do.â