Relix Magazine was launched
in 1974 under the name Dead Relix. In its earliest incarnation, this
hand-stapled, homegrown newsletter was an outlet for Grateful Dead tape
traders—avid concertgoers who taped and traded Grateful Dead concerts. The first
issues were small (less than 20 pages), had hand-drawn black-and-white covers,
and focused on taping tips and Grateful Dead news. It also provided a forum for
tape traders and music fanatics to communicate with each other.
Even as early as the second issue,
non-Dead editorial found its way into Dead Relix’s pages and, with the
addition of an editor, the young magazine expanded its scope to cover the music
of the Bay Area psychedelic scene. By
1978, Dead Relix contained reviews, essays, short features and artwork,
and had dropped the “Dead” from its title. In a world that was moving away from
hippy culture, Relix managed to remain relevant, by expanding its scope of
coverage beyond “Bay Area psychedelic rock” to cover genres as diverse as
reggae and heavy metal, with varying degrees of success.
After some years of
struggling with its direction, Relix regained its voice. It revived its focus
on the Grateful Dead, but also found room to cover genres as divergent as
blues, reggae, bluegrass and jazz, and non-music issues such as mandatory
minimum drug laws. It was during the late ‘80s to mid-’90s that Relix
established its reputation as a magazine that broke new acts. Many new and emerging bands made their debut
in Relix columns such as “Independents Daze” and “On the Edge.”
For a magazine with its
roots in Grateful Dead coverage, the passing of Jerry Garcia on August 9, 1995,
could have tolled its death knell. Instead, Relix served as a rallying point
for the community, and, in the years since, has slowly moved its emphasis away
from the Grateful Dead to coverage of jambands that have filled the void, as
well as other, non-mainstream types of music.
Today, Relix
delivers coverage of music across genre divides; a single issue might contain
articles on artists as diverse as Ben Harper, Bob Marley, Wilco, Lucinda
Williams, and the Grateful Dead. In short, Relix is “deadicated” to not only
entertaining its readership, but providing a true community for lovers of Music
for the Mind.
Steve Bernstein,
Publisher
Little known fact: Grew up in a house
with two sets of twins, me being one quarter of them
I am sure that: The egg came before the
chicken
I would give anything to see: The World Trade
Center
Kathy Stoddard, Chief
Operating Officer
Formative experience:
First saw the Rolling Stones in 1966 in Hartford,
CT
Rehabilitated hitchhiker: Commutes
to the tiny town of Leverett,
MA
Favorite TV Show: Deadliest Catch
Currently Reading: Greek island hopping.
Pet Peeve: War
Alecia J, Cohen, Business
Development Relix/Associate Publisher, Global Rhythm magazine
Best music experience: Exulting
Sufi Music at the 2003 Fes Festival of Sacred World Music in Morocco
Favroite food: Dark chocolate, any time of
the day or night
Most beautiful place in the world: Erg
Chebbi Dunes, The Sahara Desert, Merzouga
Most comfortable yoga
position: Headstand
Philosophy: Dream big and the universe will deliver
Surreal travel memory: Photographing the Ganesh Festival in Bombay
Background: Founded Global Rhythm magazine in 1992, aimed at
spotlighting world music, film, food and travel. Today Global Rhythm
is the sister publication of Relix.
Aeve Baldwin, Editor-in-Chief
Secret longing: To pitch for the New
York Mets
Favorite Musical Moment: Bob Marley,
1979 or 1980, in Tokyo, Japan
Little known fact: My first pet (a dog)
ended up as someone’s dinner
Favorite
addiction: Scrabble
Biggest Weakness:
Mac ‘n’ cheese
Wes Orshoski, Managing Editor
Favorite Musical Moment: There’s so
many… interviewing Johnny Cash; momentarily serving as Joe Strummer’s guitar
tech when his roadie was MIA; playing guitar with blind soul singer Robert
Bradley on his front porch; pairing Sinead O’Connor and Burning Spear together
for the 2005 Jammys…
Most known for: Sideburns and Bob Marley T-shirts
Artists I wish I had Seen: Otis, The Clash, Bob Marley, Zeppelin
Band I’m currently most glad to be around for: My Morning Jacket
Favorite addiction: Mexican food

Mike Greenhaus: Associate Editor & Podcast Producer
Lingering Childhood Addictions: Tuna and Chocolate Milk
Fun Phish Fact: It took me 45 shows to hear “Fee”
Genetic Jamband Bobble: My bouncy walk resembles my disheveled dance
step
Genuine Jamband Geekster: I’ve seen a concert in all five of New York’s
boroughs (even Staten Island!)
Most Shameless Plug: I store my typos at www.greenhauseffect.com
Jonathan Schwartz, GM Relix Records,
Marketing Director Relix Magazine
Favorite TV Show: Curb Your Enthusiasm
(and pretty much anything HBO throws on Sunday nights).
Semi-Commonly Known Fact: Daily “On-Air
Personality” on Sirius 17 Jam On, the only 24/7/365 commercial-free radio
station dedicated to THE JAM.
Favorite Hobby: TIE—bringing my
two-year old daughter to festivals and dreaming of a Jets Super Bowl victory.
Little known fact: Suffer from
“Rockolepsy,” a rare condition where I can fall asleep randomly at even the
loudest concerts.
Cole Boyle, Marketing and Promotions
Philosophy: Live the life you love
I would give anything to see: A great
“Harpua”
Secret Longing: To be Penny Lane with
some sort of authority
Actual job at Relix: Distinguishing
myself from Jenny on the telephone
Adam Alperowicz, Marketing Assistant
Secret Longing: To invent something
ingenious so I never have to worry about money (it’s a jump... to conclusions
mat!)
Little Known Fact: I had a green army
hat (as seen in my picture) long before Tom Hamilton and Marc Brownstein
Pet peeve: People reading over my
shoulders and anything placed on the dashboard of a car while I’m driving
Most likely to be seen: Driving Becky,
the Relix van. Wave if you see us on the road!
|