FLOWER CHILD IN THE CITY
“I was a sculptor in college, then I went though a time when I didn’t want to create waste so I began to sculpt musically,” reveals Larkin Grimm. The vocalist and string instrument connoisseur (guitar, dulcimer, ukulele, violin, etc) is a musical anomaly. “My music is shaped by my inner compass. When I go to record I haven’t got an idea of what will happen until it’s happening.” The feminist, anarchist, Yale graduate might be on a different page than most (born on a commune, seeks guidance from a shaman, subscribes to Playboy) yet her music remains relatable. Grimm’s album, Parplar, features eccentric, folksy acoustics tickled by the zen-ful sounds of nature, and a voice that ranges from the most angelic of whispers to the most Joplin of cries. With plans to tour the southeast this December, Grimm won’t even hint at what listeners should expect. “Music is such a sensual experience to me. I am guided by the vibrations of strings, if it feels right I go with it”

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