If there’s
an unofficial matriarch of reggae music, it’s Rita Marley. Though her
courtship with Bob Marley began in 1966, it wasn’t until she was part
of the I-Threes, alongside Marcia Griffiths and Judy Mowatt, that she first
backed her husband’s band on the single “Jah Live,” written
immediately after Haile Selassie’s death in 1975.
If there’s
an unofficial matriarch of reggae music, it’s Rita Marley. Though her
courtship with Bob Marley began in 1966, it wasn’t until she was part
of the I-Threes, alongside Marcia Griffiths and Judy Mowatt, that she first
backed her husband’s band on the single “Jah Live,” written
immediately after Haile Selassie’s death in 1975. A successful artist
in her own right, Rita Marley has put out eight solo albums, with her ninth,
Sunshine After Rain, to follow this summer. This past May saw the
publication of her memoir, No Woman, No Cry: My Life with Bob Marley,
a candid and revealing look at her marriage to the reggae superstar who was
known for his brash infidelity. Relix caught up with the first lady
in Miami, between trips to Ghana.
You
recently moved back to Ghana with your entire family: all your immediate
family and children plus 37 grandchildren…
Ha! No, it’s not like that. Don’t believe everything you read
Josh. Sometime the media takes things out of context. You know? I would love
to do that, I am looking forward to doing that but they do come, like in singular,
on my birthday and things like that, they will come. Nothing like moving 37
grandchildren, no, no, no. Not going to happen so sudden. Everything takes
time, you know?
What
made you move?
Home. Just want to be home, you know? We talk about this, coming from the
ghetto, look towards Africa as the motherland. So it’s not anything
that’s come out of the blue. It’s all in our lifestyle, all in
our culture, one of our aims in life. Mentally I was prepared for it before
I went there physically.
Why
not to say, Ethiopia?
It’s a neighboring country. I’m between Ghana and Ethiopia like
Miami, Kingston. That’s how I’m actually feeling out Africa now.
I’m due to go for my birthday, I was invited by the president of Gambia
to go down for my birthday along the Gambia river. Now could you refuse that?
Certainly
not.
[laughter] Exactly, I think what we toil for we’re getting paid for
now in terms of having access to Africa. It’s a blessing for me. It’s
not an adventure, it’s a blessing.
What’s
the music scene in Ghana like? I know there’s the high life style of
music, but else is happening there?
It’s close to Jamaica so much, you wouldn’t believe it. The music
sound like it have some reggae in it. Every country all over the world trying
to adapt Jamaican music, you know?
Is
there a lot of dancehall type music in Ghana?
Yes, in all Africa. Rap is too. Problem is I’ve been watching
OsuBisi Africa while I’m there, and other African countries, and their
music is bad. Wicked, you know? Yeah man, music is music, international, and
music is a universal language so it goes all over the world and it carries
a message. And Bob Marley’s music stands among all the other musics.
Bob Marley is still rated at the top of the list, you know?
One
of your album titles is Harambe that means, basically, “let’s
pull together.” Is there a greater sense of black repatriation to Africa
at the moment?
As far as I can see, I would yes, especially with the black Americans.
There’s a lot of repatriation and a lot of visitation every year between
July and August, you have a lot of black Americans going to Ghana, to the
coast where they transferred the slaves. It’s like an in thing now whenever
black people consciousness turn towards Africa, some trying to find their
roots, some trying to find gold and diamond.
I
heard you recently discovered a new aphrodisiac in Ghana: boiled ripe breadfruit
mixed with a Guinness and condensed milk.
[laughter] Where did you see that? I had that in Jamaica, I don’t remember
having in Africa. But I had an old friend in Jamaica who would fix that for
me, yes, it was delicious.
In
your early days, you worked with Coxonne Dodd. As you know, he passed away
in May and I’m wondering if you could tell me what it was like working
with him.
You know, I am very vague about it because… it’s all
in the book. To me, Coxonne was a father figure, to us. Meaning the Wailers,
Marcia Griffths, all the artists that was brought up in ya one, you know?
He was like a godfather to us and to us, Studio One was like a Motown in Jamaica.
So we respect and love what he had to offer at that time without any knowledge
or exposure, that was a fairly great start or beginning that was good for
us, you know? Actually I’ve names my studio in Ghana Studio One. Yes,
it brings a lot of vibrations to me. I say this is it, this is where we started
[tk].
There’s
been quite a lot of press about your recent book, particularly your charge
that Bob raped you.
No. That was misinterpretation and taken out of context and this
is why I am asking you to read the book and maybe we could continue the interview
cause all that you’re asking, the answers are in the book.
Well,
I’ll try and carry on with questions whose answers aren’t in the
book.
No, no not to worry, you go on and do what you want to do and I’ll
just answer you the way I think I should do.
You’re
determined to carry on your husband’s memory and music but with this
book, it would seem peoples’ memories or perceptions of him are changing.
Was it tough for you to write this book or was it more of a release?
It’s a part of my life. Everyone has their life and lived
the life they love, and loved the life they lived. And I think I have a privilege
to write some of my life, but that’s not all of my life. Life goes on,
you give it a little and if there’s more that if you want to give you
can give. You don’t just give it all at one time. “You give a
little and you take a little,” as Bob says, “one more time.”
[laughter]
The
I-Threes last album was over ten years ago. Might you tour or record again?
Yeah mon! We’re recording. We did the I-Threes sing the Best
of Bob Marley. And our first album was called Beginning [1986]. [tk]
Presently we are doing a tour of South Africa in August. We do the Bob Marley
Bash almost every year in Orlando at the Bob Marley venue. So we’re
still sisters and always will be.
There’s
obviously another big Marley tour this summer, the one here in the U.S. with
all your children.
Oh, you heard about that? That’s going to be great.
Are
you going to be able to check any of that out?
You bet! Of course, my boys, of course yes. I’m looking forward to that.
Might
we see you come out at all?
Yes, I’m going to ask Ziggy if we can cause I know our fans
are out there looking for us. It’s going to be a whopper, you should
go and catch it. I’m looking forward to it.
How
did Bob Marley change Jamaica or change the live of Jamaicans?
Music. It’s the music… remember Bob said, “Music
is going to teach them one lesson.” So Bob didn’t have to use
any other thing but his music. He didn’t have anything else to use.
He didn’t use money, he didn’t use gun, you know? But the music,
as Ziggy Marley and the Melody Makers say, “All we have is just the
music.” When the lights are down and the food run out, all we have is
the music. So that is Bob Marley music, it’s his weapon. He’s
a master of music and that works well because music teaches, heals. There
is a whole therapy about music that is so well being. I’m sure it’s
not taken for granted because so many millions sell over the years from the
frank message cause the message is in the music.
Rita
Marley was interviewed by Josh Baron.
|